Play Along Piano

Tags

Handel

Overture to Handel's Messiah for Recorders

Michel Marinier

3:54	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Soprano	26	4	8	8	96%
Alto	18	0	6	8	95%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Soprano	26	4	8	8	96%
Alto	18	0	6	8	95%
Bass/Alto	24	0	8	7	93%
Tenor 2	19	0	7	8	92%

Handel - Trio Sonata VIII (Transcribed for Piano)

Fake Your Death

8:54	Est. Play Time
279	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		29	20	10	11	99%
		27	4	9	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		29	20	10	11	99%
		27	4	9	7	100%

Messiah| No.17: Glory to God

Pete Alan

2:20	Est. Play Time
57	Measures
	1,512Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	22	3	3	8	98%
Violas	15	0	1	8	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	22	3	3	8	98%
Violas	15	0	1	8	98%
Basses	16	0	1	8	91%
Cellos	15	0	1	8	91%
Tenor	11	0	0	8	65%
Alto	7	0	0	8	54%
Soprano	8	0	0	8	49%
Bass	11	0	0	8	47%

HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"

edward.maurath

5:20	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	19	40	6	7	79%
	30	38	9	5	97%
Violoncello Continuo	23	0	7	5	97%
Arsace	18	0	6	7	74%
Violini	21	5	4	4	66%
Contrabassi Continuo	19	0	4	5	63%
Contrabasso Continuo	19	0	4	5	63%
Violoncelli Continuo	19	0	4	5	63%

HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major

edward.maurath

2:57	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	19	54	6	6	100%
	22	6	6	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	19	54	6	6	100%
	22	6	6	3	100%
Cello	20	0	5	3	100%
Kontrebaß	20	0	5	2	89%
Violas	18	0	4	4	85%
Vln 1	22	0	6	6	85%
Vln 2	20	0	6	3	85%
Tenor as Jupiter	12	0	3	7	78%

Sonata 3 (HWV 361)

Norman Schmidt

6:57	Est. Play Time
115	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		25	3	7	11	100%
		22	1	6	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		25	3	7	11	100%
		22	1	6	8	100%

Handel's Joshua No. 4 - O First in Wisdom

Anonimasu1

2:32	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	25	6	8	99%
	21	4	4	8	98%
Baritone	17	0	4	8	81%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	25	6	8	99%
	21	4	4	8	98%
Baritone	17	0	4	8	81%

HWV63A1N4 - "From this dread scene" in g minor

edward.maurath

3:00	Est. Play Time
84	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	4	9	5	53%
	22	0	8	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	21	4	9	5	53%
	22	0	8	5	100%
Contrabassi Continuo	22	0	8	5	100%
Violoncelli Continuo	22	0	8	5	100%
Violoncello Continuo	22	0	8	5	100%
Alto	16	0	4	4	71%
Soprano	17	0	6	4	65%
Violini 1	22	0	7	5	53%
Violini 2	23	0	9	5	53%

Concerto for Viola, Cello, and Orchestra in C minor, Op. 17: I. Con brio

Armin Thomas

7:43	Est. Play Time
280	Measures
	2,886Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	34	3	15	9	76%
Cellos	28	4	13	9	76%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	34	3	15	9	76%
Cellos	28	4	13	9	76%
Violas	21	0	10	7	76%
Violins 2	27	0	11	8	75%
Horn in F	22	0	7	8	47%
1.2. Clarinet in B	29	2	10	6	47%
Flute	24	0	10	8	42%
Trumpet in B	24	0	7	8	38%
Oboe	32	0	13	7	36%
Solo Viola	35	14	16	10	27%
Solo cello	32	7	17	10	24%
Timpani	11	0	4	6	12%

Variations Prelude No 1 by Tylando Schriner Op.4 by Josue Lackwood

Josué L.M

2:19	Est. Play Time
38	Measures
	1,155Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	41	2	23	3	94%
	39	1	23	4	92%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	41	2	23	3	94%
	39	1	23	4	92%
	36	1	19	4	91%
	23	4	8	3	79%

Se a me non sei crudele, ogn' or from "Giulio Cesare," HWV 17 (1724)

edward.maurath

5:15	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	24	9	8	100%
	25	5	7	9	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	24	9	8	100%
	25	5	7	9	100%
Contrabass	23	0	6	9	100%
Violin	24	0	7	9	100%
Violoncello	24	0	7	9	100%
Violoncellos	23	0	6	9	100%
ACHILLA	17	0	4	8	77%

"Non disperar, chi sa?" from HWV 17

edward.maurath

0:01	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	24	12	6	6	98%
	23	4	6	5	98%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	24	12	6	6	98%
	23	4	6	5	98%
Harpsichord	24	10	7	6	98%
	23	5	7	5	98%
Continuo	23	0	6	5	98%
Cleopatra	16	0	5	5	72%
Violini	16	0	2	6	62%
Celli	17	0	1	3	56%
Violas	11	0	0	4	33%
Kontrebaß	13	0	0	2	21%

HWV56N24 - Surely He hath bourne our grief

edward.maurath

2:51	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	11	4	7	96%
	22	4	7	8	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	16	11	4	7	96%
	22	4	7	8	100%
Organ	16	11	4	7	96%
	22	4	7	8	100%
Cello	22	0	7	8	100%
Contrabass	22	0	7	8	100%
Viola	15	0	4	9	100%
Violin 1	18	0	4	9	100%
Violin 2	13	0	4	8	100%
Alto	9	0	2	8	73%
Bass	15	0	6	9	69%
Soprano	11	0	3	9	69%
Tenor	11	0	3	9	69%

HWV17A3N09Y1724 Cesare, "Quel torrente che cade dal monte" in C Major

edward.maurath

2:48	Est. Play Time
157	Measures
	1,037Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	2	4	3	99%
	21	4	4	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	2	4	3	99%
	21	4	4	4	100%
Violoncello Continuo	21	0	4	4	97%
Cesare	15	0	3	6	71%
Violins	22	0	5	7	69%
Kontrebaß	15	0	1	3	43%
Celli	14	0	0	3	41%

HWV8A0N05 - "Di parnasso"

edward.maurath

5:43	Est. Play Time
118	Measures
	1,113Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	43	8	6	93%
	23	29	7	9	96%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	26	43	8	6	93%
	23	29	7	9	96%
	27	3	7	6	98%
	23	4	6	9	90%
Violoncello	26	0	7	6	98%
Erato	15	0	3	9	65%

"S'armi a miei danni" from "Giulio Cesare in Egitto," HWV 17, 1725

edward.maurath

9:11	Est. Play Time
109	Measures
	1,118Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	26	50	9	8	74%
	24	6	4	4	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	26	50	9	8	74%
	24	6	4	4	99%
Continuo	21	0	3	4	99%
Sesto	16	0	6	7	68%
Violin	19	0	2	8	62%
	17	0	2	6	62%
Celli	18	0	1	4	61%
Kontrebaß	16	0	1	4	61%
Viola	12	0	1	4	49%